#Gabe makes me so sad...

[adoredmarigold]

And I think that's what a father is - a blade that never stops cutting

[stop-breaking-my-heart-telltale]

Hey CJ 👋 I hope you’re doing well in life.

I’m on the same page as you, when it comes to taking a step back from TWDG & the fandom. And, coming back to the games after sometime & seeing it in a different light. Some things that didn’t click with you back then, makes a bit more sense now.

Also, I’m curious.. what are thoughts on true colors? Steph & Ryan? 👀

Hello, my friend! 👋 Been a while! But yeah, I'm doing fine; a lot of the usual work with writing fic and blog posts in between.

Yeah it's funny to step away from a fandom you're so engrossed in for so long, like twdg was such a huge part of my life back in 2018-2020 with me running this blog, writing fic, and streaming. Now I'm just in a completely different headspace in general, and looking at the games now, they're still amazing but my reasonings are different. Also I talk about the comics a lot, which isn't something I would've guessed I'd be doing. If you go back to when they were announced, I made posts being like "yeeeeeah I dunno if I'm gonna read them :/" jokes on me. I read them multiple times, I need to make that useful haha.

As for LiS True Colors, I actually super loved it?? way more than I ever did the first LiS game?? though I think I might've loved it for the wrong reasons. I don't know, I haven't actually looked into what LiS fans thought of it compared to the other games, but for me it was a "perfect time, perfect place" game in the moment. To me the whole thing was nearly a perfect escapism game; the music is an A+, the entire town is gorgeous and covered in flowers and woods, Alex gets to live in a nice apartment for free [the true fantasy], there's a whole LARP campaign to play through, a flower festival where I've never been so conflicted on who to give a rose to, and overall just the coziest vibes. I swear, I spent most of the game just wandering around the town looking at all the flowers, it was great.

Like if Gabe didn't die and True Colors was just about Alex moving to this fantasy-like small town and working through her issues with the help of her powers, I would've been 100% on board. I didn't mind the mystery, though I totally guessed Jed would be the twist villain given the first episode immediately presents him as a hero who saved a bunch of people in the mines, I was like "Oh did he now... mmhmmm mmhmmm and he's Ryan's dad, oohhh he's gonna be this game's Jefferson-" except he was done better than Jefferson imo. He didn't turn into a cartoon character and his motivations behind the cover up were interesting. He didn't do it for the aesthetic like Jefferson did. And in the end I got everyone to side with me, except Charlotte because I told her to take the money so she wanted to speak out but couldn't, which was honestly fine with me like take their money, send Ethan to college, we'll stab Typhon just fine without your vocal support.

I liked most of the characters, except for Diane and Mac, though I reluctantly disliked Mac less by the end... Diane can suck an egg, though. I don't think I've ever wanted to throw a character out a window more than when Alex came back all bloodied with a bullet wound on her head as she exposed the truth and when she asks why no one's saying anything, Diane just goes, "We don't want to embarrass you" kjlkajdslkjalkjdl LADY DON'T PISS ME OFF

As for Ryan and Steph, I liked them both, trying to choose between them was absurdly difficult. It was like True Colors saw how easily I picked between Louis and Violet and took it as a challenge to create Ryan and Steph specifically to stump me. I mean, soft boy who loves nature, goes out of his way to be kind and helpful to those around him, has a slow build up to being emotionally available with someone he trusts, and has some daddy issues? A girl with pretty brown eyes who loves DnD and LARP, has a passion for music and will deflect with humor, who knows who she is and is eager to help those around her, and who isn't just another rehash of Chloe? They knew what they were doing; they dressed Steph up in as a witch after having Ryan act like a goof acting like enemy creatures, they were made for me.

Having done both routes, I do prefer Steph. I adore her and Alex together, but Alex and Ryan are super cute, too.

It's not a perfect game and there are issues in the writing but honestly, I don't care. I had a good time. I was engaged. I looked at every single flower and kissed a pretty girl so good that the world exploded. What a great game.

[lieutenant-amuel]

[peridots-pixiwolf]

hey guess who is actually and without exaggeration crying over ultrakill

[fellhellion]

this may just be because i have brainrot for everything 2099, but honestly the context of Kasey’s past in conjunction with her attraction to spiderman, plus the entire thing being trauma amplified by the Fujikawa psychological torment chamber is really compelling.

Because all her life, no one thought Kasey Nash worth saving.

Her mother died to Rapture, her father sold Kasey to procure more of it. She escaped from the uncaring foster system but was forced to prostitution to survive. The only person she could ever first and foremost rely on was herself and yet she still fights to try and better Downtown. But here comes this man who seeks her out to save her from the very corporations that deemed her life worthless enough to be traded as a test subject for human experimentation.

She’s the first person he ever saves, and he’s the first person to ever look at her and see someone worth saving. Why wouldn’t that evoke some deeply complicated feelings on her part?

[thevqid]

david shaw ass lyrics

[tanith-rhea]

I am so NOT ALRIGHT about the ending of Good Omens S2

[quick-drawn]

we're all laughing at the cowboy + his childish antics and having a good time until we remember he's like this because he didn't get to actually have a childhood —

[gabriel-landeskog]

new icon for avs playoffs tonight <3

[falsecardigan]

No bc I agree with everything about this. I truly want to believe that everything wrong with the season five finale will be somewhat rectified in season six. Especially because we have almost a year until it airs. It won't be able to rectify the fact that Adrien wasn't there or the fact that he will never get the closure his character so desperately needs. However it can have Marinette actually think about what she's doing and have her change her mind and have her tell him (obviously as Ladybug). I'd rather it not narratively cause problems because it does upset me that this was one thing that genuinely had nothing to do with relationship conflict and it never should have been but all I want at this point is for Adrien to stop being left in the dark. It's been an ongoing theme in the show since season two and there are so many episodes showing why that shouldn't happen (especially in season four) and yet it keeps happening. The truth might hurt for him to hear but he deserves to know and I really do hope Maribug tells him because the absolute worst thing that could happen is someone else tells him.

ok since i’ve really only whined but not actually explained my reasoning lol, here is my take on the s5 finale. (this is long, sorry)

I think we’re all on the same page about the idea that gabriel being seen as a hero, by all of paris but especially adrien, is icky. and on top of that it does not feel good that marinette is supporting that lie, even if it’s out of love for adrien. most people are assuming this issue will be resolved somehow in 6, probably by lila exposing the truth. cool. that’s my hope as well. but even if that’s the case, i still dislike the framing of his wish and what the surrounding context seems to imply about it.

it is not my assumption that gabriel’s wish included green initiatives and a reformation of the parisian school system lol. I assume that his wish was to exchange his own life for nathalie’s. but as we know, wishes literally rewrite reality. the fact is that paris improved after his wish, so it is still related. he remade the world, and the new world ended up better. It all supports the idea that his wish was a good thing—a noble sacrifice that redeemed him in some sense. my impression is that even if (hopefully) he is exposed as hawkmoth, the actual wish he made will still be framed as admirable. obviously marinette found it noble enough to agree to lie to everyone about gabriel’s identity as hawkmoth.

which brings me to another pain point: the fact that gabriel essentially won the long battle against ladybug and chat noir. i’ve heard arguments that he didn’t win because he died and how is that winning? he got what he deserved in the end. but imo, he just put himself out of his own misery, because he was on the brink of death anyway because of his cataclysm wound, and he basically escaped having to face any emotional consequences from his literal terrorism and child abuse. and even if you don’t consider that a win, you also can’t consider marinette’s end of the deal a win either. her goal was to prevent hawkmoth from unifying the miraculous and making a reality-altering wish. which is exactly what happened. so she failed her mission. ladybug lost. and to me it’s sort of bizarre that the narrative seems to be framing that as a good thing? ladybug lost, but the new reality that resulted from it is so much better than the old one, and she is actively choosing to lie in order to protect the seeming goodness of that reality.

marinette is lying, of course, to protect adrien, which does not feel out of character. we’ve seen her do this before. but it is frustrating to me for precisely that reason. the final battle was meant to highlight how much marinette has grown over the past five seasons, but her choice here highlights the ways she has not grown. starting with syren in season 2, she has witnessed how much it hurts chat noir to be left in the dark and how it weakens their partnership. in that case, she convinced master fu to let him be in the know, and trust was restored. but then she continued a habit of keeping things from him, putting more and more distance between them, till it culminated with kuro neko in s4—a total breakdown of the ladynoir partnership, where chat noir renounced his miraculous. i would have thought that marinette would learn from that experience and realize that keeping people in the dark is harmful and that even if the truth hurts, adrien has a right to know it. but she once again made the decision for him, and when he finally finds out, it will be all the more painful to know that the person he loves and trusts most in the world lied to him. i actually really appreciate that marinette as a protagonist has such a good heart but is still such an imperfect character, so i want to respect this choice as a manifestation of her flawed but good intentions. i just can’t help but be really disappointed that after 5 seasons of making the same mistakes again and again, she has apparently not learned from them, which makes me feel she has not grown the way the writers say she has.

her facing hawkmoth alone for the final battle is supposed to be a sign of that growth—and yes, I can see how she has grown a lot in confidence and capability since her shaky debut as ladybug. but i also feel that her flying solo defies one of the central themes of miraculous: that in the fight against evil, good people need to stand together. just think of the difference between the s4 and the s5 finale. in strike back, ladybug is broken and sobbing because she has lost the miraculous and feels like a failure who is all alone. but then she is buoyed up by her faithful partner and all of paris, who express unbreakable faith in her and vow to stand by her side. that was so powerful! showing that she doesn’t have to be alone, and she’s not supposed to be alone, and that part of being a hero means accepting help and working with others to achieve good goals. this message was a major part of marinette’s character arc in s4 and it’s something that was introduced from the very beginning and has been supported over and over in the show. but then in “re-creation,” she has no team, and she doesn’t need one. which … good for her, I guess? But then why did we have 5 seasons of “you and me against the world” if in the end it was always going to culminate with “I'm sure we can figure out a solution if we work together. You … and me”—referring to Marinette and Gabriel, while Adrien is literally locked in a blank white prison hundreds of miles away?

it just really kills me that in kuro neko, adrien gave up his ring under the assumption that chat noir was not needed—that he was entirely useless to ladybug. and then the narrative proved him right. ladybug did not need chat noir to defeat monarch. she just needed his ring. the writers confirmed in their recent commentary that they had planned a bug noire fusion from the beginning, and they intentionally sidelined adrien so that could happen—they even had to figure out an excuse for why he wouldn’t be there. so they traumatized him with nightmares of destruction and fear of akumatization to ensure that he would once again give up his ring and conveniently remained locked away while bug noire faced down monarch alone.

you could argue that it’s better for adrien to have missed the final battle anyway, since facing his own father would just be even more traumatizing for him. i understand that. (that’s the reason i liked that in the owl house, it ended up being just luz vs belos, and hunter did not have to face him again.) but at the same time it feels so narratively unjust that chat noir—who has been fighting against hawkmoth by ladybug’s side since day 1—has zero part in seeing his mission through to the end. even though it’s all about him. because while marinette is the protagonist, adrien is the connecting piece of the whole story. it’s always been ladybug vs hawkmoth, and adrien is in the middle of them, because he’s both ladybug’s partner and gabriel’s son.

you’d think, logically, that as the connecting piece, Adrien’s decisions would be vital to the plot. That he’d have the power to tip it either way. but instead he is completely stripped of his autonomy—literally, because he’s a senti, and also symbolically in the narrative, because he’s simply removed from the equation. Like, he’s still central to the equation but he has no say in it. It’s all about him but he’s not even present. Everyone is fighting for him but he can’t fight for himself. Everyone is speaking for him but he doesn’t even have a voice.

the finale kind of sets up marinette and gabriel as narrative foils of each other, showing how they have the same motivation—to make adrien happy. and they make the same decision to protect that goal. which is interesting, sure, but also kind of effed up to me? i’m not sure what to take from the idea of the protagonist mirroring the antagonist in this way. that’s been done loads of times, but in this context, for a child audience, i don’t know what to make of it. what kind of message that is supposed to send to the children who are the primary audience of this show? ladybug is a good guy, and in the end, she’s just like the villain because they both love adrien and want to protect him. so that’s why she agrees to tell everyone the bad guy was a hero. ????

that gabriel/marinette parallel leaves adrien to parallel emilie, which makes sense and is fitting but also just sort of … depressing and again, lowkey effed up. that adrien ends up with the same narrative role as a corpse in a coffin. almost, like, macguffin-esque—a thing that motivates the agents of the story but has no agency itself. despite him being so central to both sides of the main conflict, his decisions don’t affect the outcome. because he doesn’t have the option to make any. because he’s not even present. both gabriel and marinette made a life-altering decision for adrien, thinking it was best for him, without considering that what’s best for him is to know his own story and make his own choices. him getting the rings was somewhat relieving, but it also felt like kind of a slap in the face. because it’s like, “look, adrien’s free! he has his amok and no one can control him anymore!” but, like, how free is a person who is living a lie? will he ever experience true autonomy, or will his life continue to be dictated by the decisions others make for him? will the narrative give him decision-making power or will his role continue to be symbolic?

one thing that makes this all extra dissatisfying is that Adrien literally does not have the option of getting closure with his father, because he’s dead. maybe a dramatic reveal in the middle of the final battle would not be the best way to go about it, but now he can’t have any sort of closure. in the owl house, it didn’t feel necessary for hunter to be present in the belos takedown because he already had his confrontation with belos in graveyard possession scene. belos tried to physically control him, and hunter broke free, and spoke his mind, and as traumatizing at is all was, it was good for him to be able to do that. it would’ve been so nice if adrien also had that opportunity. if he did break free from his father’s control, either by overcoming akumatization or the control of his amok somehow. or if not that, if he were just able to have one honest conversation with his father about emilie. like he did with his alt self in the paris special. it was so significant for the writers that bug noire detransformed and spoke to gabriel as marinette. why couldn’t adrien have done that? Marinette is the one to tell Gabriel that Adrien wouldn’t want him to make the wish and hurt someone else, that Adrien has made peace with his grief, that he has learned to cherish his mother’s memory without living in the past. wouldn’t that be even more powerful coming from adrien himself? if adrien was part of that final confrontation just as himself, we could even still have bug noire play a primary role.

i get that adrien being part of the battle is a risk, since we saw in chat blanc one option of how it could play out. but we also saw in the collector another potential way adrien might respond to learning that his father is hawkmoth—charging into battle by ladybug’s side. especially if he was given time to process the idea beforehand. it’s not impossible. you’d just have to compose the scene and its buildup a different way. so honestly it feels sort of lazy to just remove him for the sake of ease? and also sort of a waste of narrative potential? the villain being the father of one of the main characters is such an interesting plot element. imagine if luke skywalker did not ever face darth vader. if he never even learned that vader was his father. or if he learned that fact after vader’s death, which was the result of a confrontation he was not present for.

of course, i know adrien is not the protagonist. marinette is. and of course i want her to be empowered by the story. but i’m getting a little tired of what i see as kind of cheap feminism in ML. like, girl power for the sake of visibility so the writers can pat themselves on the back about it, if that makes sense? this show does have so much good feminist power with a strong female lead who has realistic flawless and a big heart, who overcomes self-doubt and other struggles, and who has proven time and again to be a smart, capable leader who has earned the trust of everyone on her team. but all of that sometimes feels undercut by the narrative treatment of adrien—like he has to be put down somehow to elevate marinette. ML has subverted gender roles in a lot of ways by having ladybug lead with her brain while chat noir follows with his heart. and adrien has a lot of other strong feminine associations—the focus on his physical appearance, the expectation of perfection and obedience, his soft and gentle nature, his romanticism, etc. And one of the biggest ones is all the ways he is trapped, all the ways he is pushed down and made to be submissive. they even depict him as a princess locked in a tower, with marinette as the knight in shining armor to save him from the evil dragon (his father). with adrien in that traditionally feminine role, it would have been empowering to see him to take a leading part in his own liberation. instead, he was locked away both literally and symbolically in favor of a solo bug noire confrontation, so marinette could look like a girlboss in her cool new outfit, taking on the bad guy all by herself, even when it would (imo) fit better with the themes of the show and her own character arc for her to fight alongside her partner. but as Thomas Astruc said, “She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?” (X) it just makes me feel that the writers cared more about the cinematic value and feminist brownie points of that battle than its narrative significance—which i feel could only be increased by adrien’s participation. “all that is necessary for the triumph of evil is that good people do nothing” … and that is all adrien was allowed to do.

i think a lot of fans at this point are just assuming that whatever feels dissatisfying/off will be fixed in s6. they’re trusting that the writers have a brilliant master plan that we just have to be patient and wait to see come together. idk, maybe i’m just tired. or a little jaded. i think there will be a lot to enjoy in s6, but i’m also prepared for disappointment. i honestly did not love many elements of s4 as well as s5, and i had expectations that weren’t fulfilled there either. i’ve felt let down by the writers many times now, so i expect that many of their future choices will  resonate with me. but i still love ML, and I am eager to see how everything will unfold. i’ve also read a lot of other analyses of the s5 finale, and there are great points being made on many sides. this is just my personal interpretation and opinion. i did not like the finale when i first watched it, and after sitting on it for months and trying to evaluate my feelings and look at it logically, i still do not like it lol. if you do, great! this isn’t intended as a personal attack on anyone—just me expressing my two cents, which ended up being more like $20. thanks for bearing with me if you read all this ✌️

[shrikebrother]

I've been thinking about Next To Normal again lately off and on, "he's a hero a lover a prince" and how this fantasy version of her teenage son fills a mix of all these roles for Diana including a romantic partner. I feel like it flies under the radar for a lot of audiences since Gabe is, you know, dead/not real, but it's really interesting when you consider how especially Dan interacts with his presence like a rival.

OH MY GOD RIGHT RIGHT

[ofswordsandpens]

actually I do want to talk about Sally Jackson a tad more because one criticism I've been hearing about her book counterpart more recently is "book Sally is one-dimensional: the perfect mother with no flaws" and that just has me biting my cheek because one part of her book counterpart that I always thought was ripe with discussion and didn't make it to the show is that Sally states that it was selfish of her to keep Percy close. It's one of the last things she says to him before she's "killed" by the minotaur.

And there's so much that we don't know about Sally because we view her from Percy's eyes. From his perspective we know that she's exceedingly kind, she never raises her voice to him or even Gabe, and she endured a horrible and abusive relationship to protect her son from monsters (of a different kind).

But there are things we can piece together from the text: Sally has known about CHB for a long time, apparently since before Percy was even born because Poseidon told her he wanted to send Percy there; she was told that it was a mistake for her to keep Percy close - who told her that, we're not sure, she only uses the phrase they; she's been in contact with Grover through out the school year; she knows that she can't cross the camp boundary line, which means either Grover or someone else (Chiron? Poseidon?) told her that, and that she understood that there was place that Percy would be safe from monsters.

And all of these little details are so interesting because it does make you wonder just how much she did or didn't know. Was her self assessment right? Was it selfish of her to keep Percy close?

On one hand, she kept him close because she loved him, alongside the fear that if she sent him to camp, she would be saying goodbye for good -- so is it even fair to call the act of keeping him close selfish? Or perhaps, much like Chiron, she assumed keeping Percy in the dark would be safer?

But on the other hand, Percy had been attracting monsters all his childhood, she understood camp was a safe place from monsters, and she had apparently been told explicitly that it was a mistake for her to keep him close.

And then adding in the factors of: Percy is her only family in the entire world, she's been suffering with Gabe for years, sacrificing so much in order to keep Percy safe when he's at home... but even that has a touch of sad irony because when we meet Percy in tlt, its at point when he's not really home at all -- he's been regularly sent off to boarding schools, so much so that he's internalized it as his own short-coming.

And all of this isn't to say "Omg Sally is actually horrible" or to assert definitely that she is selfish... but more to speak to the fact that in the books, she's not an all-perfect 2-dimensional mother. And her self-assessment of selfishness is something that is really interesting to explore and debate given the implications of what she apparently did (or did not) know about the godly world. I feel there's even an argument to be made that Sally being "selfish" could be a reflection of Percy's fatal flaw.

[cherryredstars]

Pairing: Miguel O’Hara x fem!reader

Warnings: 18+, NSFW, Age Gap, Penetrative Sex, Oral Sex, Facesitting, Breast Play, Body Worship, Praise, Aftercare

Summary: darlin' hold me while you wipe my tears, fallin’ you say i’m wise beyond my years

A/N: An anonymous request that I LIVE for!!! Inspired by @osaemu's fic.

Word Count: 3.9K (Not Edited)

You should have used waterproof mascara.

You should have known no matter how sparkly your dresses were, how perfect your makeup was, or how pretty you looked, he’d always find attention from someone else who did it ten times better. But you had still hoped. Hoped that on your own goddamn birthday, your own boyfriend would spare you even a second of attention. Instead, you’re tilting your head back outside on his shitty mansion’s balcony so your tears don’t ruin your makeup. 

If your boyfriend was going to fuck every girl at this party but you, you wanted to at least look somewhat pretty and not like the sad, lonely mess you know you are. You embarrassed yourself enough when you had stormed up to him, interrupted his groupie make out session, and slapped him across the face screaming about breaking up with him. You can feel your chin wobble at the thought, and you sniffle and blink rapidly at the sky in an attempt to banish the new wave of sadness that courses through you. Best present ever! Your late twenties are treating you sooo well!

The sound of the balcony door opening catches your attention, and you’re quick to hastily wipe the tears streaming down your face as you clear your throat. You turn towards the door, ready to give whoever it is a wavering smile and a, Oh! I’m just out getting some fresh air! The smell of cigarettes was so strong haha! I promise I’m not crazy and go around slapping people on my birthday! But, you’re surprised to see Miguel, Gabe’s dad, standing there with a bottle of beer in his hand. And he's staring at you. You sniffle again, blinking rapidly. Gabe’s almost a carbon copy of his father, minus the ruggedness that comes with aging. Miguel also has the working man appearance to him, rough around the edges from hard work that his son doesn’t have. Miguel looks exactly like your usual type, but of course you had to go for his young, stupid son. 

You can feel tears beginning to spill from your eyes again and you turn away. You’re sure he’s going to kick you out, question you on why you’re still here after making a scene and slapping his son in front of everyone. You try to muffle your teary hiccup by placing your palm over your mouth as you rest your elbows on your knees. Miguel sighs deeply, moving to sit on the chair parallel to yours. You turn your head slightly as you catch movement, wet eyes noticing the half empty beer bottle Miguel silently holds out for you. You blink at it for a few seconds in confusion, only understanding that he’s offering it to you when he shakes it slightly in his hand. 

You pull your mouth away from the palm of your hand and shake your head slightly as you mumble, “I don’t drink.”

He doesn’t say anything in return, taking the bottle back and taking a sip. You study him for a second, waiting for him to get mad or something, but he just looks straight ahead admiring the view as he sips on his beer. After a while, you do the same. You look straight ahead, feeling the tears dry on your face. Your face feels slightly sticky from the tears, and you have a feeling you’ve smudged your mascara and eyeliner. 

Now that you’re not focused on crying all the water out of your body, you realize how cold it is outside. You shiver, only lasting a few more minutes before you’ve decided you rather not die of hypothermia tonight. As you’re about to get up, Miguel speaks up. 

“I’m sorry about, Gabe. I don’t know how he turned into such an ass. He’s a piece of shit for making a pretty thing like you cry on your birthday.”

When you turn to look at him, he’s already looking at you. You give him a tight lipped smile, shrugging in mock-indifference. 

“It’s okay, I didn’t like him that much anyways, no offense.” Then, to lighten the mood, “I’m not an expert on feelings, but I don’t think he liked me that much either.”

Miguel stares at you like he doesn’t believe you when you say you don’t like him, but it’s the truth. You haven’t really felt anything romantic for Gabe in a while. The only reason you’ve stuck by him was because he’s the only person you really know in Nueva York. But now, you’re all by yourself in this big ass city. At least you love your job. 

“Yeah, well, he’s an idiot for letting you go. Trust me, sooner or later he’s going to regret it.” Miguel defends you. He looks personally offended at the thought of his son, or anyone, not liking you. 

His words make your smile brighten slightly and you laugh, “Thank you, but I really doubt that. By tomorrow he’ll probably forget I even existed.”

Miguel scowls at that, and you yelp when his hand reaches out and pulls your chair towards his. Your knees knock with his, and you have to hold onto the armrest of his chair to prevent yourself from falling on top of him. You look up at him with wide eyes, breath stifling from how close his face is to yours. Your heart beats erratically as he leans in close, the almost red-brown of his eyes getting more detailed. Your eyes can’t help but trail down to his lips. They’re slightly glossy from his beer, and for the first time, you're tempted to try it. 

You’re quickly startled out of your thoughts when Miguel’s hand grips your chin, forcing your eyes to meet his. They’re slightly hooded as he looks down the end of his nose at you, and you gulp nervously. His thumb caresses your skin gently, and you have to work hard to not close your eyes as he leans his face down. Instead of the kiss you thought he was going to give you, he shifts until his mouth is close to your ear. 

Your disappointment quickly disappears as your breath hitches. His breath his warm against your ear as he whispers, “He should have treated you like a fucking queen.”

Your heart skips a beat, eyes dropping to your thigh as Miguel’s other hand moves to rest on it. It kneads the plush skin softly before sliding up and fiddling with the ends of your dress. His hand looks so big on your body. You can feel the calluses on his fingers, they’re rough and cracked. Totally different from the too soft hands of Gabe. The hard difference between a man who works hard to get what he wants and a boy who expects everything served to him on a silver platter. 

Miguel’s hand begins to slip under the edge of your dress, and your body straightens with your gasp as his fingers skim the center of your panties. You can practically sense Miguel’s smile as his fingers ever so lightly brush up and down. You can’t help the way your body squirms at his touch, thighs threatening to close around his hand. His fingers float higher and higher, until they’re pressing against your clothed clit. You can feel yourself dripping into your panties and you whine. 

“I can treat you like the queen you are.” 

Miguel’s voice distracts you from his hand, eyes moving up to his face as he moves away from your ear. His eyes are glossy with lust, something hot in his gaze. You can feel yourself clench around nothing, and based on the way Miguel’s eyes darken, he felt it too. His words pound against the walls of your brain, repeating and stretching as you think up of what he means. 

In the end, all you can let out is a: “W-what?”

Behind the lust, Miguel’s eyes flicker in amusement. His hand leaves your chin, sliding up your face until he’s twirling a strand of your hair around his finger. “Let me show you how you should be treated. How a man would treat you.”

His proposal burns through your stomach, your eyes blinking rapidly as you breathe in deeply. You can smell the slight tinge of beer mixed with the masculine scent of cinnamon and firewood. It makes your brain dizzy, coaxing you to nod in agreement. Miguel’s hand stops playing with your hair instantly, eyes falling over your face for any sign of indecision. He doesn’t find any, but he still needs verbal confirmation. 

“You gotta tell me clearly, baby.” He urges, leaning his face close again.

He’s a millimeter away, your lips brushing against his as you say, “Please.”

Your only warning is the rumbling groan he lets out before he’s catching your lips in a searing kiss. You whine against his mouth, eyes fluttering shut as his teeth nip at your bottom lip. You lean more into him, arms hesitantly coming to wrap around his neck and tangle in his hair. Your lips part when you feel his own hand push onto the small of your back, allowing his tongue to slip through. Both of you moan into the kiss when your tongues meet, the remains of bitter beer invading your taste buds. It should be disgusting, should remind you of all the times Gabe slobbered all over your mouth in a drunken make out, but it doesn’t. Miguel is experienced, knowing where to place his hands and where to caress with his tongue. His lips move with calculated confidence where Gabe would open and close his mouth like a fish. 

Right as your mind becomes slightly dizzy from lack of oxygen, Miguel pulls away. His eyes are still trained to your lips, now plump and wet with spit. He hisses under his breath, cherishing the yelp you let out as he quickly lifts you as he stands. Your arms stay wrapped around his neck, only tightening as he sets you into a bridal-style carry. His sudden display of strength makes you clench your thighs. Gabe never offered to carry you, mumbling something about not wanting his arms to get sore. But Miguel carries you like you weigh nothing, even trusting to support you with a single hand as he opens the sliding door and closes it behind the two of you. 

The loud music hits you full blast, the smell of nicotine and alcohol following. From Miguel’s arms, you can see Gabe still on the couch with his entourage of girls. Even from the distance and colored lights, you can see the redness of his cheek where you’ve slapped him. You’re quickly forgetting about him again when Miguel starts moving, carrying you up the stairs. He pauses in front of the door two away from Gabe’s. Miguel’s room. He opens it and locks it behind the two of you, depositing you on his large bed. 

It smells strongly of him, and you have to fight yourself to not breathe in deeply. His sheets feel heavenly against your skin, caressing it like silk. The mattress sinks under you slightly, cocooning your body. It sinks deeper as Miguel crawls on top of you. Your hips are caged by his knees as he kneels, arms holding him up by your head. They come to rest under your head, pulling you up to kiss you again. The two of you sink back into the bed as your tongues clash, and you squeal when Miguel flips you over so you’ve swapped positions. He chuckles against your lips, pulling away and smiling when you pout at him. 

“Shhh,” He smiles, hands sliding down to the zipper of your dress. He drags it down slowly, watching as the straps of your dress fall away and slide down your shoulders, “Let me worship you.”

Your thighs tighten around his waist, blinking down at him as he pushes your dress down to reveal your bare breasts. There wasn’t any need for a bra with your dress having built in padding. You gasp when he surges forward, holding you in place with his hands on your waist as he sucks one of your boobs into his mouth. Your hands tangled into his hair, head tilting back with a moan as he licks and teasingly bites down on your nipple. One of his hands slides up to your upper back, pressing so your chest is pushed against his face. He moans around your nipple, hungrily lapping and sucking as he looks up at you. He’s entranced by the way your lips part as you moan and whine, your neck revealed to him as your face faces the ceiling. 

He can feel his cock twitch in his pants, distracting himself by giving your other breast attention. His eyes practically roll to the back of his head as you tug on his hair. When he’s satisfied, he parts from your breasts with a final kiss to both of your nipples. They’re hardened and shiny with his saliva, and he’s almost tempted to go back for seconds. But he has other things in mind. You watch him as he lays flat on his back, the hand at your back returning to your waist so his other can reach under your dress. You gasp, hands planting on his chest as he rips your underwear off of you. Your eyes are wide as he brings them up to his nose, squeezing at your waist as he moans at the scent. 

He stuffs them into his pocket, both hands now planted on your waist again. He bunches your dress around your waist, looking like a goddess as all your privates are revealed to him. He picks you up, your hands gripping the headboard as he sits you on his face. The noise you let out is close to a scream as his lips instantly attack your clit, sucking it into his mouth. His tongue is warm against your aching bud, your eyes rolling back with another loud moan when his tongue slides against your folds. You want to cry when he pulls you off his face slightly, his chin already sparkly with slick. 

“Gods baby, you’re so sensitive. Gabe never eat you out before?” He teases, but he quickly loses the smirk on his face when you whimper out a no. He rolls his eyes, mumbling out pinche imbécil before diving back into your folds. 

You can’t help bucking against his mouth, his nose beginning to nudge at the bud between your legs. He groans under you in appreciation, and you feel it throughout your whole body. You’re a whiny mess on top of him, your sounds drowning out the music from downstairs. One of your hands comes to tangle in his hair to help guide your movements, and his hands start rocking your hips to help out. He can feel you clenching against his mouth, your orgasm close. For a second he debates not letting you finish and instead making you come around his cock. But no, he isn’t greedy. He’d let you have all the orgasms you want. You deserve to be deeply satisfied and fucked out. Plus, he needs to make up for all the times his son failed to get you to your peak. 

He’s definitely happy with his choice as you fucking scream his name, back arching as you lean against the headboard. Your thighs twitch around his head, your breath heavy as you whine. Your release flows into his mouth like thick honey, and it tastes just as sweet. He can feel himself twitch in his pants again, and he holds you down to prevent you from getting up. He needs to make sure he swallows every last drop you’re giving him. Has to show you how grateful he is that you’re giving him your sweet release. When he finally lets you off, you do so on numb legs. You roll to the side, chest still heaving as he groans.

“Fuck hermosa, taste fucking divine.” Miguel praises, his body hovering over yours again. 

You whine up at him, pulling him into a shy kiss that he returns desperately. You can taste yourself on his tongue and you whimper. As he shares your taste with you, his hands finally get rid of the rest of your dress. He pulls away once it’s off, resting his forehead against yours as his hands undo his belt buckle. 

“You’re gorgeous, y’know that? A fucking vision. And you’re all mine.”

Your body arches into him at his words, hands exploring the expanse of his clothed chest as he gets his pants off. His chest leaves your hands as he sits up again, rapidly undoing the buttons of his button-up and hurriedly taking it off. Both of you are naked, and his eyes get the chance to explore you as you explore him. He’s built in muscle, a little chub at his stomach that has you leaking onto his sheets. His cock hangs heavy in between his legs, unable to hold up its own weight. It makes your mouth water and you almost beg him to put it in your mouth. 

You’re distracted from your filthy fantasy when Miguel’s finger lands at the end of your throat and in between your collarbones. He slides it down, goosebumps mapping where he touched. He brings his finger down the valley between your breasts, dragging it to your stomach, and ending its journey at your clit where he taps on it gently. The whole time he holds his breath as if breathing would disturb the perfection in front of him. It makes your body sing, arching into his touch with a small noise that he soaks up. 

“Fucking perfect,” he whispers into the darkness of the room, leaning back over you.

You can fill his tip rubbing between your thighs, smearing his precum on your skin. You spread your legs wider for him, and you gasp when he grabs them and pushes them up to your chest and over his shoulders. He kisses the side of your knee, eyes peering down at your face as he guides his tip to your entrance. He rubs it up and down slowly, collecting your dripping arousal and nudging at your clit until your body is jolting in sensitivity. When he brings it back to your weeping hole, it slides in with little resistance.

You moan needily as it enters you, and you clench around his tip. It makes Miguel’s mouth drop with a groan, trying to push past your tightness, “You’re so tight, loosen up for me baby.”

You try to relax your walls, but every time he slides further in, your walls clench in pleasure. It makes him chuckle, and he toys with your clit to help your efforts. It works well, and he slides in easily as he rolls your bud in circles. 

“Fuckkk, that’s it baby. Taking this cock so well.”

You whine, back arching as he bottoms out. His balls are flush against your skin, and you squirm on his cock as he begins to slide out. You gasp out when he thrusts back in, hitting against your cervix. Your hands reach above you to bury into the plush pillows, mewling as he starts building up a pace. You try to turn your head away, closing your eyes tight as you moan, but Miguel reaches down so you face him and force eye contact. Your eyes are completely dazed from pleasure, lust threatening to spill through your tears. Miguel groans at the sight, his hips beginning to thrust into you faster. Your gummy walls drag against his length, fluttering every now and then as he works you towards another orgasm. It makes his cock twitch inside of you, and he hides his face in your neck and leaves bruising marks. The way he presses into you makes him hit deeper, hitting that spot inside of you that makes you impossibly close to climax. Your hands leave the pillows to rake down Miguel’s back with hiccuped mewls of his name as you feel your stomach burn. 

“I know, baby,” Miguel grunts, teeth clenched as his hips start stuttering. “I know, I’m right there too. Let go, I got you.”

With his reassurance and the persuasion of a few more thrusts, your body tenses. Your mouth falls open in a silent scream, body arching and twitching as you come. Feeling your walls clench so tightly around him makes Miguel explode soon after, moaning out your name. He works both of you through your orgasms with shallow thrusts that slowly dwindle to a halt. He breathes heavily into your neck, groaning as he slowly pulls out of you with a wet squelch. His face hovers over yours, showering you in chaste kisses that have you letting out breathy giggles. 

Once Miguel has caught his breath he gets up, carrying you as he stands off the bed and walking towards the bathroom. He places you down on the sink’s large counter top, your body shocked by the cold marble. He parts from you with a slow kiss to your lips, turning to prepare a bath for you. When the tub fills with steamy water, he picks you up again, stepping in and sitting down with you between his legs. You sigh as the water soothes your aching body. Miguel’s hands begin to massage your body, whispering small praises into your skin and leaving kisses along your neck and shoulders. The coziness of the atmosphere makes you sleepy and you try to stifle a yawn. 

Miguel smiles against your skin as he hears it, and he begins to run his fingers through your hair, “Go to sleep, I’ll take care of you.”

And just like that you’re asleep.

--------------------------------------------------

The next morning, you’re woken up with kisses along your naked shoulder. You smile before you open your eyes, turning around to meet Miguel’s face. He hums when you turn to him, pulling you against him more and kissing your cheek. You chuckle at the affection, kissing the crown of his head as you rake your hands through his hair. 

“Morning, hermosa.” He mumbles to you, eyes shining at your presence. 

“Good morning, handsome. Want some coffee?” You reply, smiling wider when Miguel nods. 

You get out of bed, grabbing Miguel’s button up from last night off the floor. You button it up just enough to cover everything, and you hear Miguel groan from the sight from his place on the bed. You giggle, promising to be quick as you leave his room. When you go downstairs, the place is still trashed from the party. You roll your eyes at the mess, feeling bad for the cleaners and already knowing you’re going to offer them help. Luckily, the kitchen is still functional and you begin to brew Miguel’s coffee. You hear footsteps approaching as you fill a mug, turning to see Gabe. 

He’s rubbing his eyes when he enters, the tell-tale expression of a hangover on his face. He pauses when he sees you, squinting as the sunlight pours from the kitchen window. 

“What are you still doing here?” He asks gruffly, eyes falling to the mug of coffee in your hands. You don’t like coffee, he only knows because you complained about it all the time when he got you one. 

You roll your eyes at his tone, setting the spoon down on the sink. You grab the mug and begin walking over to Gabe. For a moment, he thinks the coffee is for him and he begins to reach out for it. But he pauses as your hand cups his cheek mockingly and you coo at him like he's simply a toddler with an attitude.

“Now, now, Gabe. That isn't how you should treat your step-mom, is it?”

[randomness-is-my-order]

been seeing alot of discourse ensuing in the fandom about the pjo tv show and here’s the thing: there is alot of impetus about what the show didn’t get right but isn’t it absolutely amazing how much the show did get right????

yes, gabe is a bit different. yes, annabeth didn’t show percy around camp. yes, grover snitched on percy. yes, ms. dodds transforming could be a bit underwhleming.

BUT

we also have this: percy being an actual kid with sarcasm and sadness and anger and trauma. he’s not one-note. he’s just trying his best and his inner conflict is so painfully and wonderfully portrayed. grover being a nervous wreck at times but also sweet and earnest and guilt-ridden and brave in his own way. annabeth being a little girl wise beyond her years, with a stoicism that feels like something she was forced to practice and the spark of a dream driving her actions. luke being a likeable teenager with actual empathy towards percy which will drive home his fall from grace that much deeper.

chiron being a mentor figure who still makes questionable choices and can’t always say the words percy wants to hear, despite his best intentions. mr. d being an asshole who is still likeable, if only for his humor. sally jackson being a fierce mother with both tenderness and strength, who isn’t perfect but might as well be in percy’s eyes. clarisse being the unpleasant bully that she is, with all the rage and pettiness that she held within when we were first introduced to her yet with the promise of something more.

camp halfblood’s set and the cinematography deserve their own medals. they’re quite literally perfect.

soooo, where i’m getting at is this:

i don’t believe that all criticism pointing out inconsistencies with the books is just nitpicking. alot of it is well thought out and politely presented, too, and i think it’s important to point it out so the showrunners know where they went wrong and can try and rectify those errors–however small or big–in the next season. at the same time, undermining the entire show, discounting all the efforts made to remain faithful to the source material just because they strayed from a storyline that didn’t land as well as it could have–that’s a bit overblown, yes?

like it is an adaptation, not a word-by-word recreation from page to screen. of course, there will be changes because some things in a book don’t always translate well in a story told on the screen. for me, most changes aim to enhance rick’s work, not undermine it or take away from it in some misguided attempt to appeal to the larger audience like the movies did.

at the end of the day, it is very important to recognise the 90% of the show that depicted our beloved scenes from the book as faithfully as possible instead of constantly criticising the 10% of it that changed directions for a certain end goal that serves the screenwriting for a tv show. there can be balance of both praise and criticism and i’m very much in support of people pointing out genuine problems with the storytelling of the show but these conversations should also try and acknowledge the myriad of aspects in which the show excelled. like just the fact that i get to see so much of my imagination take form in front of my eyes, through a screen, with so much of the same authenticity that the pjo books are inlaid with–that’s genuinely mind-boggling to me.

[seeleybooth]

"Don't get up on your high horse with me, Anne Shirley."

"Marilla pessimistically expected more trouble since Anne had again begun to go to school. But none developed. Perhaps Anne caught something of the “model” spirit from Minnie Andrews; at least she got on very well with Mr. Phillips thenceforth. She flung herself into her studies heart and soul, determined not to be outdone in any class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good-natured on Gilbert’s side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne’s mortification was as evident as Gilbert’s satisfaction. When the written examinations at the end of each month were held the suspense was terrible. The first month Gilbert came out three marks ahead. The second Anne beat him by five. But her triumph was marred by the fact that Gilbert congratulated her heartily before the whole school. It would have been ever so much sweeter to her if he had felt the sting of his defeat.

Mr. Phillips might not be a very good teacher; but a pupil so inflexibly determined on learning as Anne was could hardly escape making progress under any kind of teacher. By the end of the term Anne and Gilbert were both promoted into the fifth class and allowed to begin studying the elements of “the branches”—by which Latin, geometry, French, and algebra were meant. In geometry Anne met her Waterloo.

“It’s perfectly awful stuff, Marilla,” she groaned. “I’m sure I’ll never be able to make head or tail of it. There is no scope for imagination in it at all. Mr. Phillips says I’m the worst dunce he ever saw at it. And Gil—I mean some of the others are so smart at it. It is extremely mortifying, Marilla.

“Even Diana gets along better than I do. But I don’t mind being beaten by Diana. Even although we meet as strangers now I still love her with an inextinguishable love. It makes me very sad at times to think about her. But really, Marilla, one can’t stay sad very long in such an interesting world, can one?”

Anne of Green Gabes (1908) by L.M. Montgomery - CHAPTER XVII - A New Interest in Life

[wazzappp]

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

oh my god. oh my fucking GODDDDD. HOGHHG. I just finished drawing a bunch of like. fluffy shit this hit me like a FUCKING FREIGHT TRAIM AGHHGKLSFD. I AM HAVING A LOT OF FEELINGS RIGHT NOW

"He wanted to remember Robbie when they’d both been real people, not see what Eveline would turn him into."

VIBRATING. FUCKING VIBRATING. AAAGHHHHHH. CAUSE. CAUSE. YOU WILL SURVIVE. BUT YOU WONT BE 'REAL PEOPLE' EVER AGAIN YOU WILL NOW ALWAYS IN SOME WAY BE WHAT EVELINE MADE YOU TWO AGHHHHHHH FUCK. FUCK. FUCKING FUCK. AND THAT BIT ABOUT HER MAKING GABE LOVE HER MORE THAN ROBBIE OH MY GOD. OH MY FUCKING GOD.

"-Eveline wanted Robbie nice and broken before she took him."

Jesus fucking christ dude

"The mold was more active than Gabe had ever seen it, snaking down from the ceiling over the walls, pooling and mounding on the floors. Robbie was hurting it more than any other guest had. "

DAMN RIGHT!!!!!! THATS MY BOYYYYYYYYYY!!!! THATS MY BOYYYYYYY GET THEY ASS KILL MAIM BURN!!!!

"Gabe reached out to a tendril of mold and stroked it: damp, soft. -- Soon Gabe would have only the mold for company."

ogh my god. the forshadowing. for Gabe seeing the mold as a friend and finding comfort in it. HOghhg. HELL. OH MY GOD. AGHH.. im actually going to start crying.

"Daddy had hit Gabe, told him it was for his own good. He never hit Eveline though, even though he loved Eveline more. "

MOTHERFUCKERRRRRRRRRRR

All of Gabe realizing its Robbie on the other side of the fence. BEING READY TO TRY AND WARN SOME RANDOM STRANGER EVEN BEFORE HE KNEW IT WAS ROBBIE OH MY GOD THIS BRAVE LITTLE GUY AGHHHHHHGHGHGHGHHDKG. He hasn't felt love or happiness that wasnt forced by Eveline in so long that being happy to see his brother feels strange and almost wrong. Im going to LOSE MY MIND. IVE LOST IT. I NEED TO GO FIND IT BEFORE I CAN PROCEED.

REALIZING THAT ROBBIE iS ALSO INFECTED OHHHHHHHHH MY GODDDDDDDDDD HGNNNNNGGGGG. Oh my god and Robbie doesent understand he thinks Gabe is crying because he feels bad about cutting his hand off I mean he DOES but OH ITS SO MUCH WORSE THAN HE KNOWS IT IS. im fuckigng. hmgnd.

"Gabe couldn’t force out any words through his sobs, so he couldn’t tell Robbie that neither of them could go home, they were both rotten inside like the Baker’s house. They belonged to the swamp."

FUCK

Robbie being so mad that it reminds Gabe of Jack is SCARY. Ohhhhhhh god that kind of anger is scary and he can recognize that in his brother now oh jesus christ im going to scream you really really know how to twist the knife dude ohggod

"Robbie lowered the gun, his whole body shaking. “I’m coming for you, Gabe,” he promised, his voice raw and terrible. “I won’t let any of these people stop me. You’re my brother, and you always will be. I’m taking you out of here!”"

YEAH!!!! YEAH!!!! YEAH!!!! GET MAD!!!! KILL THEM ALL!!!! KILL THAT FAMILY OF FOUR!!!!!!!!!!!!!!! DO IT MULTIPLE TIMES!!!!!! GOD KNOWS YOU WILL HAVE TO!!!!

Im not well.

ANGR/RE7 AU fanfic: Timeout

Inspired by @wazzappp's Ghost Rider/Resident Evil 7 AU because it haunts me.

Gabe and Robbie meet for the first time after Robbie gets his hand stapled back on.

Nobody ever came back from Lucas’s side of the basement fence. He was mean and Gabe usually stayed away from him; he didn’t care about any of the guests they caught, didn’t respect his own bio-dad and bio-mom, and somehow he didn’t even care about Eveline. Gabe didn’t know how Lucas managed that one. Eveline made it impossible not to love her. Gabe loved her more than Robbie, and he knew that if Robbie stayed here and got to know her, he’d love Eveline more than Gabe. 

Eveline always wanted to be sure, though. That was why she’d made Gabe cut off his hand. 

He just wished Robbie would leave and never come back. If Eveline had Robbie, she wouldn’t need Gabe except as someone to bully, or a spare body to borrow. And Robbie would never look at Gabe again, not with Eveline filling his head, tugging. He wanted to remember Robbie when they’d both been real people, not see what Eveline would turn him into.

Gabe sat on Lucas’ side of the basement fence, clutching his head and rocking. That was a self-soothing behavior, he remembered one of the doctors explaining to Robbie, and who else was going to soothe him? Not Eveline. Robbie’s arrival had made everything worse; Ma Baker was upset because Robbie was ungrateful to her and Eveline, Daddy Baker was angry and wanted to teach him a lesson, and Eveline wanted Robbie nice and broken before she took him. Nobody had time to check that Gabe was alright, and once Robbie was well and adopted into the family, no one ever would. 

He’d cut off Robbie’s hand. He’d cut him with a knife. Robbie wouldn’t stay after all that, would he? He’d run away. Gabe hadn’t been acting like himself, he’d been acting like a bully. Robbie hated bullies. No one had escaped Daddy Baker before, but that wouldn’t stop Robbie. 

He kept hearing what Robbie used to call fireworks, loud and close. Daddy Baker had never shot at any of their guests. Lucas did once, but Daddy took his gun away after that. 

Pop-pop echoing close through the hallway. Gabe caught an echo of Eveline’s frustration—one of her friends was hurt, she’d have to rebuild it. She had so many of them now. The mold was more active than Gabe had ever seen it, snaking down from the ceiling over the walls, pooling and mounding on the floors. Robbie was hurting it more than any other guest had. 

Gabe reached out to a tendril of mold and stroked it: damp, soft. Eveline wouldn’t want to be the middle child between Robbie and Gabe. Soon Gabe would have only the mold for company.

The gunshots had been getting nearer. Now they were silent, and Gabe heard lurching footsteps. He wondered if he was in trouble. Daddy wasn’t one of those sissy parents who didn’t believe in corporal punishment and the idea of a social worker checking in on the Bakers was laughable. Daddy had hit Gabe, told him it was for his own good. He never hit Eveline though, even though he loved Eveline more. 

Gabe could open the other door and creep away into the swamp, but not if he wanted to know who was doing the shooting. Not if he wanted to warn them. He waited, crouching in the shadow where the hall light had burnt out, ready to run if Eveline let him. 

A blood-soaked man stepped around the corner. It was Robbie. 

Gabe lurched toward him, coming up against the wire fence. His body seemed not his; it had been so long since anything but fear for himself or love for Eveline had made him move, that his love for Robbie seemed like an intruder. 

Robbie’s gun flashed toward him, just for an instant. Then he pointed it at the ground and stumbled toward Gabe just as urgently as Gabe had tried to run to him, free hand outstretched to wrap over top of Gabe’s fingers through the wire. 

“Robbie!”

“Gabe!” His voice was hoarse. He leaned his head against the fence like he could fit through the gaps if he thought small thoughts. “It’s you, right? Help me out, how do I know when it’s you?”

Gabe felt himself start to cry. “You can’t. She’s in my head, she can make me want things. Robbie, I’m sorry—” He choked up and couldn’t talk anymore. Robbie tucked his gun into his waistband, his other fingers still firm and clammy over Gabe’s. Other fingers. Gabe followed the hand up Robbie’s wrist, past a big smartwatch he’d never seen Robbie wear, to the ring of carpentry staples biting into Robbie’s skin where Gabe had cut his hand off. Same way Lucas always fixed himself up when Daddy had enough of his lip.

Normal people’s arms didn’t work that way. 

Gabe couldn’t keep himself from crying. Robbie was saying, “Buddy, it’s okay, I’m not mad, I just need to know what’s happening to you so I can get you medicine and we can go home. I’m gonna bring you home. Okay?” Gabe couldn’t force out any words through his sobs, so he couldn’t tell Robbie that neither of them could go home, they were both rotten inside like the Baker’s house. They belonged to the swamp.

But Robbie could still want to go home. He could still say it. 

“Run,” Gabe managed. “Robbie. Robbie, run away!”

“I’m not leaving you, bud,” Robbie said, and then his hand pulled away and he jerked his head up and grabbed at his waist and he bared his teeth. His face was dark with fury just like Daddy on a real tear. “Don’t you fucking touch him!” Robbie snarled, and from behind Gabe a strong arm snatched him up by the waist and heaved him off his feet. Gabe smelled the disinfectant Lucas used.

“Shoot me!” Lucas taunted, voice coming from just below Gabe’s chin. “The kid’ll be fine. Go on. Do it.” Lucas carried Gabe away through the door behind them, even as Gabe thrashed and kicked. Through his tears, he saw Robbie gripping a gun with both hands, trembling as he aimed it just past Gabe’s head. Robbie never used to have a gun. He’d always told Gabe never to touch them, never to play with them, to keep away from anyone who had one. 

Robbie lowered the gun, his whole body shaking. “I’m coming for you, Gabe,” he promised, his voice raw and terrible. “I won’t let any of these people stop me. You’re my brother, and you always will be. I’m taking you out of here!”

I can’t, Gabe thought. I can’t leave, I belong to Eveline. But he saw the fury in Robbie’s eyes, and bit the words back. 

Lucas walked them back through the door and leaned around Gabe’s back toward the opening. “Pussy.” He slammed it shut.